Film sur Hans Bellmeer
I’m very keen of the title « Film about Hans Bellmeer » instead of « Hans Bellmeer ». This film, as any other film, is a voyeuristic initiative (of mine) watching other voyeurs (the museum visitors) that are watching the work of a peeping Tom (Bellmeer) – the whole thing actually seen by voyeurs (the movie audience that took the place of the visitors). It’s not an art film, it’s a watermark testimony about the life and destiny of two people that I love : Unica Zürn and Hans Bellmeer. Catherine Binet
Born in 1944, she worked as editor before writing and co-directing « Le Printemps » (1970) with Marcel Hanoun.