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51st Directors’ Fortnight May 15-25, 2019

Duo Pour Cannibales

Fortnight 1969, Feature film,

Synopsis

‘Duet for Cannibals’ is a story about psychological, sexual and emotional cannibalism. The film tells a tale of two couples involved in academia and politics. Artur Bauer is a university professor living in exile in Sweden with his enigmatic wife Francesca. He hires young Tomas, ostensibly to help arrange his papers for publication. After leaving his mistress to live with the couple and take the position, Tomas quickly discovers that things are not quite right with the dysfunctional pair. 

Director

Susan Sontag

Born in New York City, raised in Arizona and California, educated at the University of Chicago, Harvard, Oxford and the Sorbonne, Susan Sontag constitutes a veritable challenge for any biographer. A novelist, philosopher, essayist, movie director and playwright, over the past thirty years she has been a controversial figure, too snobby for many of her critics, but always ready for a veritably « down to earth » engagement wherever and whenever human free expression is at stake (Vietnam, communist China, Bosnia). Among her essays, which are by far her most complete aesthetic achievement, many are devoted to Film, either to single movies (like Bergman’s « Persona », Godard’s « Vivre sa vie », Syberberg’s « Hitler, a Film from Germany », but also Chaplin’s « The Dictator » and Kubrick’s « Doctor Strangelove »), directors (Robert Bresson, Jean-Luc Godard, Leni Riefenstahl), or genders (Science Fiction). Her own films are deeply inspired by modernist style. The first two, _ »Duet for Cannibals » (1968)_ and _ »Brother Carl » (1971)_, both shot and produced in Sweden, bear clear influences of Bergman’s reflections about the impossibility of human communication. _ »Unguided Tour » (1982)_ is an elegiac documentary of a mental tour of melancholia, while « Promised Lands » is a shocking documentary about Israel/Palestine that managed to outrage both the pro-Israelis and the pro-Palestinians at the time of its release in the mid 1970’s. Since she was diagnosed with breast cancer in 1975 (which she eventually overcame during several years of treatment), she has been involved in thinking and writing about the role of disease (TB, cancer, AIDS) in contemporary Western society.